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PLATINUMLIST AI PRISM / Overview

Calendar management

Available in the dashboard

Find a date that fits the event, its audience and the season.

An organiser proposes a date. Start with the event category, genre and show size; compare the surrounding calendar and two years of performance-date history before committing.

PRISM / CALENDAR MANAGEMENTA closer look

One calendar, three levels

3

Explore the month, inspect the week, compare two dates. Every level uses when the show takes place.

DECEMBER · ILLUSTRATIVEMONTH → WEEK → DAYMTWTFSS1234567891011121314151617181920212223242526272829303112 DEC / 18 DECCompare dates for the same briefGenre + show sizeCompetition + historical activityMultiple dates, one eventPLAN BY WHEN THE SHOW TAKES PLACE, NOT WHEN TICKETS SELL.

◇ Illustrative preview · not live market data

A question is where it starts.

Possible lines of enquiry. The questions that matter most would be defined with your team.

01

Which dates already have competing events of this genre and size?

Filter the next thirteen weeks by category or genre and show-size band. Inspect daily competition, then compare two proposed dates side by side. The previous one and two years use matching weekdays, with Ramadan and Eid context shown separately.

02

What actually took place on comparable dates in the last two years?

A multi-date event occupies every recorded show date. A continuous run spans its dated interval. Month and week totals count the event once; ticket volumes count each show once within the displayed window.

03

Which nearby dates have fewer competing listings and activity in both prior years?

Read the historical genre mix and aggregate paid-ticket demand alongside current competition. Size is based on registered ticket capacity per show, not tickets sold. A busy date and a proven audience are different signals: the comparison explains the evidence and its limits.

Know what you are looking at.

Platinumlist coverage only. A quiet date does not prove weak demand or venue availability; a busy date does not prove overbooking. Audience overlap, permits, holidays and the organiser’s brief still matter. Repertoire or language is not inferred from an unrelated genre tag.

The source

Catalogue listings with and without paid sales, performance dates and dated runs, paid tickets allocated to their shows, canonical categories, music tags and registered ticket capacity. Current source date is shown in the dashboard.

How it works

Calendar management connects a monthly view, weekly context and daily date comparisons. Filter by event category or music genre and registered show capacity. Compare events selling now with the same lead time last year, then examine what actually took place in the previous two years. Multi-date events occupy each relevant day and count once in period totals. Historical ticket demand is shown only at a safe aggregate level. A nearby-date shortlist explains lower competition and historical activity, without presenting counts as a demand forecast. Ramadan shifts and incomplete coverage remain visible when interpreting a date.

The rhythm / Daily
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An aggregate view. A protected relationship.

The government view protects individual customers and businesses. It does not disclose named events, organisers, venues or artists. Small or concentrated groups are withheld.